Archive

Fat Is the New Green

AIA Design Theory- October 2009

by Rebecca Falzano
Photography Trent Bell

Architect Jesse Thompson believes green design offers the chance for a new aesthetic

Conversations about sustainability often involve a sense of having to do without or limiting creativity in some fashion. Jesse Thompson and his firm Kaplan Thompson Architects is instead finding that the quest for low-energy, durable buildings has not been an act of denial or limitation but instead is leading toward a new aesthetic and creating opportunities for a new style.

 

Read more: Fat Is the New Green

 

The Life of the Loft

October 2009

by Rebecca Falzano
Photography Trent Bell

On Camden’s waterfront, a lively blend of food and family

One Sunday morning in Maine, as in Robert Frost’s famous poem, Christina Sidoti came upon a fork in the road.

Read more: The Life of the Loft

 

Portland Platinum

October 2009

by Rebecca Falzano
Photography Irvin Serrano

SUSTAINABLE:
A Portland house achieves the ultimate in LEED ratings

There is a well-known, albeit clichéd, adage: Shoot for the moon. Even if you miss, you’ll land among the stars. Sometimes, though—as was the case with Catherine and Jonathan Culley of Redfern Properties in Portland—one shoots for the stars and winds up hitting the moon. The two real-estate developers set out to design and build a home that was both green and affordable—a goal that some would consider unachievable. What they got surprised even them: a home that not only was affordable but that earned the highest rating possible—Platinum—from the U.S. Green Building Council’s LEED (Leadership in Energy and Environmental Design) system, an internationally recognized certification program for environmentally conscious construction.

Read more: Portland Platinum

 

Garden Gala

TURNOUT-ANTIQUES IN THE GARDEN-October 2009

Photography David Murray

A night filled with antique treasures and culinary treats

Read more: Garden Gala

 

Letter from The Editor

LETTER FROM THE EDITOR-October 2009
by Susan Grisanti Kelley
Photography François Gagné

 

When we put an issue of Maine Home+Design together, we select and develop stories, matching them to one another until the blend is just right. The stories often bind together and form a collective whole. If each issue develops its own collective personality, then this issue resonates with the theme of a fiercely independent spirit.

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All the In-Betweens

ESSAY-September 2009

by Rebecca Falzano

“I travel not to go anywhere, but to go. I travel for travel’s sake. The great affair is to move.”                -Robert Louis Stevenson

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Simple Rhythm

THE DRAWING BOARD-September 2009

A mountain retreat takes advantage of the shallow slope of the land

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Little Italy

FEAST-September 2009

by Rebecca Falzano
Photography François Gagné

European-style dining thrives off Portland’s beaten path

Read more: Little Italy

 

Nature’s Cathedrals

THE CANVAS-September 2009

by Suzette McAvoy

Janice Anthony, R. Scott Baltz & Jane Dahmen

Read more: Nature’s Cathedrals

 

A Common Thread

CRAFT OF MAINE-September 2009

by Rebecca Falzano

Local artisans whose woven works are Maine made and inspired

Read more: A Common Thread

 

Homing In

FIELD TRIP- Nicola Manganello 2009

by Veronique McAree
Photography Liz Atterbury

A home isn’t merely a place to live—it’s a veritable storybook of styles, influences, and thoughtfully executed design.

Read more: Homing In

 

Second Lives

September 2009

by Rebecca Falzano
Photography Trent Bell

On Diamond Cove, a former pilot transforms a naval power plant into a home

As the ferry leaves Diamond Cove for the mainland, the first tinges of a lasting impression materialize in the summer sun. The image of this historic island community is indelible, even as its diminishing silhouette recedes behind the expanding view of Portland’s houses on the hill.

Read more: Second Lives

 

The Moss Manse

September 2009

by Debra Spark
Photography Trent Bell

Taking John Calvin Stevens to Boothbay

When it comes to her own home, realtor Connie Moss has something of a set design approach to real estate. After the stage has been set—her home constructed or renovated in as fine a fashion as possible—she lets the show of her life run for a few years, then it’s on to a new performance—a new residence and a new project. Since relocating to Maine in 1997, Moss has built and sold a home in South Bristol, renovated another on Pemaquid Point, and fixed up both a brownstone and an 1867 half-house in Portland. Her latest effort and current abode—an expansive Shingle Style home that sits on a ledge overlooking East Boothbay’s Little River—is currently on the market. She isn’t, she emphasizes, “flipping”—the real real-estate term for buying up properties for rapid resale—but enjoying the whole process of perfecting properties. “It’s an adventure,” she says. “I like to think that I respect the house. I like to do what the house needs in terms of material, and I like to feel that I add something to the house, that it is better off for my being there.”

Read more: The Moss Manse

 

Being Green

PROFILE-September 2009

by Rebecca Falzano
Photography Irvin Serrano

A furniture designer discovers his passion for the process

If there were a mascot for the saying “Life is more about the journey than the destination,” Doug Green would be it. That isn’t to say the furniture maker, inventor, industrial designer, wood tamer, and founder of Green Design Furniture in Portland doesn’t love a fine finished product; it is just that, for Green, the process of design is the most compelling part of his work.

Read more: Being Green

 

Fun at the Farnsworth

TURNOUT-September 2009

Photography Jonathan Laurence

Celebrating the 2009 Maine in America Award winner Robert Indiana

Read more: Fun at the Farnsworth

 

The Homework of Home

September 2009

by Rebecca Falzano
Photography Trent Bell

One couple’s journey to the not-so-big house

When planning their first home together, Jeff and Dominique Sommer immersed themselves in the world of home design and construction. Hardcover architecture books with glossy pages moved to the top of their reading lists. Design terminology worked its way into everyday conversation at the breakfast table, in the car, and just before bed. Emails at 3 a.m. to architect and mentor Carol De Tine of Carriage House Studio Architects in Portland were frequent. Late-night algorithms (for example, calculating the shoreline setback using the Pythagorean theorem) were not uncommon. The methods of renowned architectural greats were called on. For months on end, the Sommers lived, slept, ate, and breathed the creation of their home.

Read more: The Homework of Home

 

Virtue and the Ventriloquist

PROFILE-September 2009

by Rebecca Falzano
Photography Irvin Serrano

Artist Robert Shetterly paints the truth

Read more: Virtue and the Ventriloquist

 

From Inside Out-Architect Caleb Johnson’s take on “form follows function”

AIA Design Theory- September 2009

Beauty in building is born out of restriction. It is the restraints of building materials, site location, client personality, spatial needs, and budget that prompt a building design to blossom into an elegant solution and a refined object. It is for this reason that a building that is both functional and beautiful must be designed from the inside out, from a thorough understanding of the confines of its specific situation. When a building is designed this way, its exterior and interior will be one of harmony projecting confidence in its attributes.

Read more: From Inside Out-Architect Caleb Johnson’s take on “form follows function”

 

LETTER FROM THE EDITOR

LETER FROM MH+D-September 2009

by Susan Grisanti Kelley|
Photography François Gagné



MH+D works. In the two and a half years that we’ve been doing this, we’ve figured a few things out. We’ve uncovered intriguing home and design projects all over the state—many of them down gravel paths that wind away from main roads. We’ve listened carefully to the stories of how these homes came to be built and often restored. We’ve carefully focused our stories on the spirit of the home and the land on which it stands, while widening our coverage of what happens around the state in art, design, landscape, restaurants, and community. When we told these stories, we shared the Maine that was our experience. The Maine that magnetizes us.

Read more: LETTER FROM THE EDITOR

 

Easy Elegance

August 2009

by Laura Serino
Photography Trent Bell

A blend of modern and traditional styles, the island way

Almost three miles across Penobscot Bay from Lincolnville, or about a twenty-minute ferry ride from the mainland, is the small island of Islesboro. Although the community is perhaps best known as the summer residence of such high-profile celebrities as John Travolta and Kirstie Alley, the vibe here is anything but pretentious.

Read more: Easy Elegance

 

Masters of Glass

CRAFT OF MAINE-August 2009

by Rebecca Falzano

Four Maine artisans unlock the secrets of glass

Known for its fragility, its texture, its possibility, glass has been a medium for artists for thousands of years, starting with the earliest man-made glass objects around 3,500 B.C.E. This month, in continuation of MH+D’s Craft of Maine series on functional art, we feature four glassblowers who use a delicate combination of heat, balance, gravity, air pressure, and applied leverage to create works of art that are as beautiful as they are functional. The creations of these artists may range from platters to vases to vessels, but all employ texture, color, light, and form—not to mention technique—in uniquely eye-catching ways.

Read more: Masters of Glass

 

Capturing the Color of Light

THE CANVAS-August 2009

by Suzette McAvoy

Alexandra Tyng, Louise Bourne & Thomas Paquette

 

Read more: Capturing the Color of Light

 

You Are Here

ESSAY-August 2009

by Rebecca Falzano

“You must live in the present, launch yourself on every wave, find your eternity in each moment.”       -Henry David Thoreau

Read more: You Are Here

 

A Family Affair

August 2009

by Debra Spark
Photography François Gagné

Designing for generations

When Ariana Fischer-Gregg was 22, she took the Johnson O’Connor aptitude test. Her credentials were in order—her years at boarding school and Boston University behind her—but what were her natural talents? “High aesthetics,” she remembers the test concluding. “Long-term vision. You should own your own business or sell pretty things.” Could these results have been a surprise? Given Ariana’s lineage? Her childhood? Probably not.

Read more: A Family Affair

 

Urban Archaeology

PROFILE- Kaja Veilleux-August 2009

by Rebecca Falzano
Photography Irvin Serrano

An auctioneer with a photographic memory and an obsession with preservation

On a muggy morning at the end of May, the sheer volume of people and antiques inside Thomaston Place Auction Galleries makes the building, a former chicken coop, feel like it could bust its seams. Just before the auction starts, Kaja Veilleux—owner, appraiser, auctioneer, and founder—is walking around distributing handshakes and promises of a great show. “Going to be some fireworks here today, I tell ya,” he says with a wink. In the heavy air, the smell of antiquities and an excited energy mingle as people start taking their seats.

Read more: Urban Archaeology

 

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